Guy Ritchie’s first two films can arguably be called instant classics with his unique flair and (some what) originality earning him titles such as “the British Tarantino”. Though both Lock, Stock & Smoking Barrels and Snatch remain an acquired taste (and strictly “boys club” filmmaking), it’s hard to deny they gave a shot in the arm to mainstream cinema and made gangsters cool again. Unfortunately, Ritchie lost his way slightly after the success of these films; becoming a family man possibly changed his perspective slightly, but a woeful decision to make a film with his then-wife, the acting deprived Madonna, had him labelled as quickly as the “king of cool” to having lost it. Coming to his senses, Ritchie went back to the well and gave us (the hardly seen and critically paned) Revolver. However bad it may have been, that film seem to provide the director with renewed passion and he followed with RocknRolla before helming the entertaining blockbuster, Sherlock Holmes.